How The Quadrant System In 'Drive' Entices The Eye And Keeps You Interested
One of the many pleasures of Nicolas Winding Refn’s “Drive” is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look.
February 4, 2015 at 06:52AM
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